There are plenty of do-it-yourself ring flash projects around, either sporting any number of white LEDs, or foil-clad tube constructions directing the light from a flash to a ring around the lens. However, state of the art LEDs still produce rather little light, and there's a flexible and perhaps even more efficient alternative to transporting light via a tube fitted with reflective walls: optical fibers.
Optical fibers are specifically made to transport light, so my idea was to construct a ring light based on the same principle as the popular optical fiber lamp: a large number of optical fibers are collected at the light source, leaving the other ends fanning out in a spherical shape. For flash purposes, this light source is of course a regular flash unit, and the other ends of the fiber optics cables are fitted in the circular outline of the ring flash, that is, where other DIY people have placed LEDs. Unlike LED constructions, however, this construction allows the camera to adjust its flash intensity automatically, and it doesn't require a power supply. Also, with a large number of fibers, the light should be very evenly distributed, possibly eliminating the need for a diffuser.
It turned out it was difficult to find suppliers of fiber optical cables in my country. The only supplier I found agreed to cut 150 pieces of fibers (length about 50 cm, ø 1,0 mm each) for me and melt together all the fibers in one end.
My reliance on the supplier probably makes my particular solution rather costly compared to what may be expected in other countries. However, it's not necessary to melt the ends together (it simply allows the fibers to absorb more light, yielding a better output), so cutting and bundling the fibers is something anyone can do without professional help. The optical fibers themselves don't seem to be expensive at all.
I tested the light conducting capability of the fiber optics whip by holding the glued end in front of my camera's built-in flash unit and looking at the free ends while firing the flash. Don't do this at home: it worked much better than I had hoped, and was practically the same as looking straight into a flash at close range.
The next part was to construct the ring where the optical fiber ends are attached. I cut the ring from a piece of acrylic glass (you may of course also use wood, cardboard, plastic, or metal) with 150 ø 1,2 mm holes drilled in a uniform pattern. The holes are organized in concentric circles with 36, 37, 38, and 39 holes and slightly rotated to distribute the fiber cable ends as evenly as possible. I used Inkscape to draw a template for the ring. You may download the template here. I created four templates (one for each circle) instead of plotting all holes into a single template, because otherwise the paper would probably crumble before I was even halfway through drilling. I also waited to saw the inner circle and the outline in the acrylic glass until I had drilled all the holes. The uneven edges of the cut were easily smoothed by sanding the plastic.
Next, I inserted all the fiber optic cable ends in the holes and fastened them with superglue. I did this in several rounds to allow the superglue to dry before working on the next bundle of cables. I also fitted the acrylic glass ring with a ring of cardboard so that could it slide snugly onto the lens.
For the other end of the fiber optics cable whip, I created a fixture for the camera's built-in flash by cutting and gluing a small fixture of cardboard that could slide onto the flash in one end and onto the fiber optics whip in the other end, and covered it with aluminum foil inside.
With all fibers and the inner cardboard ring attached (including an unexpected 151st fiber that also happened to be too short and was left dangling) the ring conducts light from a regular desk lamp just nicely:
I used cable strips to bundle the fiber cables together in order to ease its fitting onto the lens. In the end, "The Ram" hardly hardly improves the looks of the camera, but that was kind of an expected trade-off:

In practice, the ring and the fibers block some of the measuring light and probably cause a slight miscalculation of the target flash intensity. However, the resulting light is reasonably well dispersed as illustrated by this snapshot of a nearby cactus flower:

There's probably room for some improvement in the link between the whip and the flash, but all in all I think this experiment illustrates that fiber optic cables can be successfully applied as a ring flash.
Optical fibers are specifically made to transport light, so my idea was to construct a ring light based on the same principle as the popular optical fiber lamp: a large number of optical fibers are collected at the light source, leaving the other ends fanning out in a spherical shape. For flash purposes, this light source is of course a regular flash unit, and the other ends of the fiber optics cables are fitted in the circular outline of the ring flash, that is, where other DIY people have placed LEDs. Unlike LED constructions, however, this construction allows the camera to adjust its flash intensity automatically, and it doesn't require a power supply. Also, with a large number of fibers, the light should be very evenly distributed, possibly eliminating the need for a diffuser.It turned out it was difficult to find suppliers of fiber optical cables in my country. The only supplier I found agreed to cut 150 pieces of fibers (length about 50 cm, ø 1,0 mm each) for me and melt together all the fibers in one end.
My reliance on the supplier probably makes my particular solution rather costly compared to what may be expected in other countries. However, it's not necessary to melt the ends together (it simply allows the fibers to absorb more light, yielding a better output), so cutting and bundling the fibers is something anyone can do without professional help. The optical fibers themselves don't seem to be expensive at all.I tested the light conducting capability of the fiber optics whip by holding the glued end in front of my camera's built-in flash unit and looking at the free ends while firing the flash. Don't do this at home: it worked much better than I had hoped, and was practically the same as looking straight into a flash at close range.
The next part was to construct the ring where the optical fiber ends are attached. I cut the ring from a piece of acrylic glass (you may of course also use wood, cardboard, plastic, or metal) with 150 ø 1,2 mm holes drilled in a uniform pattern. The holes are organized in concentric circles with 36, 37, 38, and 39 holes and slightly rotated to distribute the fiber cable ends as evenly as possible. I used Inkscape to draw a template for the ring. You may download the template here. I created four templates (one for each circle) instead of plotting all holes into a single template, because otherwise the paper would probably crumble before I was even halfway through drilling. I also waited to saw the inner circle and the outline in the acrylic glass until I had drilled all the holes. The uneven edges of the cut were easily smoothed by sanding the plastic.
Next, I inserted all the fiber optic cable ends in the holes and fastened them with superglue. I did this in several rounds to allow the superglue to dry before working on the next bundle of cables. I also fitted the acrylic glass ring with a ring of cardboard so that could it slide snugly onto the lens.For the other end of the fiber optics cable whip, I created a fixture for the camera's built-in flash by cutting and gluing a small fixture of cardboard that could slide onto the flash in one end and onto the fiber optics whip in the other end, and covered it with aluminum foil inside.
With all fibers and the inner cardboard ring attached (including an unexpected 151st fiber that also happened to be too short and was left dangling) the ring conducts light from a regular desk lamp just nicely:
I used cable strips to bundle the fiber cables together in order to ease its fitting onto the lens. In the end, "The Ram" hardly hardly improves the looks of the camera, but that was kind of an expected trade-off:
In practice, the ring and the fibers block some of the measuring light and probably cause a slight miscalculation of the target flash intensity. However, the resulting light is reasonably well dispersed as illustrated by this snapshot of a nearby cactus flower:

There's probably room for some improvement in the link between the whip and the flash, but all in all I think this experiment illustrates that fiber optic cables can be successfully applied as a ring flash.






Der er krav om, at alle husstande skal have postkasser placeret tæt på vejen senest ved udgangen af år 2011. Det gør det muligt for Post Danmark at fyre postbude, fordi de lægger noget af deres hidtidige service ud til borgerne og således sparer tid. Når Post Danmark samtidig fastholder portoen, tjener Post Danmark penge mere på denne bestemmelse.
Reed-kontakten trigger den ene tilstand, og en reset-knap trigger den anden tilstand. Kredsløbet og veroboard-placeringen er som følger:
Med en passende placering af reed-kontakten og en magnet ved postkassens låge, bør en bevægelse af lågen give anledning til, at reed-kontakten bliver sluttet. Det får lysdioden til at lyse, indtil en barmhjertig sjæl trykker på reset-knappen. Det bør i denne sammenhæng siges, at jeg ikke har forsøgt mig med praktisk brug endnu og blot konstateret, at konstruktionen med to kontakter virker efter hensigten. Hvis konstruktionen viser sig at være for følsom og trigger uden nogen grund, kan det være nødvendigt at reducere størrelsen af modstandene R2, R3 og R4. Der kan også benyttes andre forsyningsspændinger, men så skal værdien af R1 øges. Ved 9 volt bør R1 være 470
Theory: the unit is based on a monostable multivibrator comprised of R2, R3, R4, R6, C1, T2, and T3. When the tripwire is broken, T1 will open and cause C1 to be discharged. This in turn causes T3 to open until C1 has stabilized. Opening T3 also opens T4, which drives the output low, that is, T4 inverts the signal. The value of C1 causes a pulse of some tenths of a second. This is much longer than needed by the flash trigger unit, but I suspect the D70 wired remote hack might need a somewhat extended pulse, so I'm being plenty on the safe side. A lower value value of C1 will shorten the pulse duration.
Final tripwire flash trigger unit:
The tripwire input is at the bottom in the Veroboard assembly illustration and on the left in the above photo. Power the unit with 5 volts at - and +, and connect the output (indicated with a low square pulse in the illustration) to the input of the flash trigger unit. Break the tripwire, and the flash is triggered.
The programmer connector is the one that comes with the PICAXE 08M kits that are available from the store on the 
The 18B20 device comes in a TO92 housing. The outermost pins are ground and power supply. When shorted, they indicate parasitic mode where the 18B20 draws power from the data pin in the middle. So, from the USB adapter, ground goes to the outer pins on the 18B20, and data goes to the middle pin. Of course, I built the 18B20 devices into small cases with adapters on them, enabling them to easily be connected in parallel with other cases containing 18B20 devices. For outdoor use, I enclosed the device and the cables in an epoxy-filled case to shield it from moisture.
The first step was to open the remote control. The pushbutton front is a thin sheet of metal glued to the circuit board which had to be removed. A hobby knife was all that was required for this operation:
This revealed the pushbutton connectors, and while two thin wires could probably be connected to the two predrilled pads, I went for a different solution where I could add a small connector inside of the remote control. First, I removed the three screws holding the circuit board:
Inspections of the circuit board and measurements with an Ohm-meter revealed that pressing the pushbutton shorts pins 14 and 15 on the integrated circuit found in the upper left corner of the circuit board in the above picture. The next step was to cut a hole for a small connector made out of a straight one-row female header:
So far, nothing difficult. The next step required careful soldering of two wires to pins 14 and 15 on the surface-mounted integrated circuit. It helped to superglue the connector on top of the circuit first, since this was where it was going to be fastened anyway:
That was it. All that remained was to reassemble the remote control. It turned out the connector was slightly too big for the case so the metal front doesn't quite fit, but I can live with that. It's a learning experience:
Together with a handful of friends, I visit the German village of 
The specifications indicate a maximum power consumption of about 17 Watts. With Ubuntu 10.10 and no peripherals (LAN, keyboard, mouse, and monitor attached) except the LCD display, the actual power consumption is somewhat lower: 14.6 Watts according to the power supply used for development. This can be expected to increase slightly while decoding MP3 files. Once the power supply has cut the power from the motherboard, the total power consumption is about 0.1 Watts.


Finally, with the remaining items added, the Wacken Death Box becomes a relatively uninteresting and clearly home made piece of electronic equipment of some sort. That's how it should be at a festival, although it may accumulate some festival stickers during its lifetime: